Well that's it for the countdown. I hope you all enjoyed it as well as Monster Fest 2009 here on YDKS Movies. Happy Halloween everyone.
Saturday, October 31, 2009
The 25 Scariest Moments in Movie History (Part 5)
Well that's it for the countdown. I hope you all enjoyed it as well as Monster Fest 2009 here on YDKS Movies. Happy Halloween everyone.
Wednesday, October 28, 2009
Review #2 (that rhymed)
Taking place in southeast Arkansas, Shotgun Stories involves two sets of brothers, each set sharing the same father, but a different mother. The story is told from the perspective of Son, Boy, and Kid Hayes, their names proof of their father's failure to love them. Though their father has abandoned and failed the three, he does better by his second wife and sons. When the three are informed of their father's death, they head to the funeral, where Son asks if he can say a few words before the burial. After several scathing remarks, Son spits on his "father's" casket, enraging the four by the second wife. The feud begins.
Like any good story about war and hate, this one focuses on the futility of retaliation. A Wendell Berry quote comes to mind in connection to the film's plot: "Violence breeds violence. Acts of violence committed in 'justice' or in affirmation of 'rights' or in defense of 'peace' do not end violence. They prepare and justify its continuation." Nichols's film drives this idea home. For every act of violence one of the brothers commits, another one is returned. Think the futile retaliations in The Godfather set in the backwoods of Arkansas. Unlike Coppola's film, however, a glimmer of light is behind all the shadows cast in this movie.
As I said, the plot has been done before, but what makes up for it is the sincerity prevalent in this movie. This isn't a pretentious movie. It's not the hackneyed revenge story so many filmmakers tell us we should care about. There is real pain here, scars, the moments of resignation that all of us have to face when living. It's not perfect, and that's not the point. What is here is genuine, and worth your time.
Aside from the story, there are beautiful and moving images throughout its duration. The south in its glory. Nichols's work reminds me of the things I adore about Southern gothic literature. Violence, redemption, pain, and death. It's all here. I look forward to what Nichols does in the future.
The 25 Scariest Moments in Movie History (Part 4)
Be sure to stay tuned for Part 5.
Tuesday, October 27, 2009
Monster Fest Movie of the Week: The Halloween Tree (1993)
Hey everyone and welcome to a new article series taking place during Monster Fest 2009. In this series of articles, I will post a full length horror / monster movie for your enjoyment. With services like Hulu and YouTube, there are a lot of ways to enjoy movies you would have most likely never heard of before by just watching it at your own convenience on your computer screen. I will choose one horror film from these services every week and post them here for you all to enjoy.
Monday, October 26, 2009
The 25 Scariest Moments in Movie History (Part 3)
Thursday, October 22, 2009
Hana-Bi (Fireworks)
After reading some great Japanese literature recently (Junichiro Tanizaki's Seven Japanese Tales), I've become interested in the Japanese and their art. Tanizaki's stories were incredibly powerful, yet so very quiet. Similarly, Takeshi Kitano's Hana-Bi delivers violence and beauty in one of the quietest, most profound films I've watched in years. This is a gangster film, carried out in a manner I'd never before encountered. I found out about Kitano's Hana-Bi from my creative writing professor Rick Barthelme, who has a poster of the film outside of his seminar room.
The movie involves an ex-cop named Nishi (played by Kitano himself). After a stakeout gone horribly awry, Nishi's partner Hirobe is paralyzed, and another officer is killed. Subsequently, Nishi quits the force, staying home with his wife who is dying of leukemia. In an effort to maintain his finances, Nishi becomes involved with the Yakuza (mafia). He goes into to debt with them, and henceforth, must make a few bad decisions to keep from being murdered over his debt.
The film switches from Nishi's present to the occasional slow-motion pain of his past experience, the circumstances that have made him the character depicted on screen. Often he is seen with Hirobe, before a visually stunning beach, as Hirobe describes how painful his life has become since he was paralyzed. Hirobe suggests that Nishi take his wife on a trip before she dies, and Nishi makes plans to do so. Unfortunately, he is broke, and in debt with the Yakuza, making these plans difficult to carry out. In order to obtain the money for the trip, he must go to some drastic measures (I won't give this part away). Before leaving for the trip, he pays the Yakuza back in full. However, they become suspicious of how he's obtained such an enormous amount of money in so little time; they want more from him. The rest of the film is a visually stunning and charming interaction between Nishi and his wife as they travel the countryside, being tracked by the Yakuza. This portion of the film is peppered with confrontations between Nishi and the gangsters--some of the most incredible violence I've ever seen in a movie.
Aside from the violence and visuals, Nishi's character is illustrated beautifully. He is a character depicted through action rather than words. You can literally count on one hand how many speaking parts he has in this movie, but this doesn't take away from the strength of the character.
The word Hana-Bi is a mixture of the terms "fire" and "flower," and I don't think a better title could be given to this movie. It is like watching an orchid unfold in a warzone. See it.
Wednesday, October 21, 2009
An Introduction
I'm Ellis Purdie, and I've been wanting to contribute to YDKS Movies for some time now. Wesley and I have been friends for a couple of years, and it's good to be involved with him in this little project. I am recently a member of the Netflix community, and am excited about all of the great film I'm going to be watching in the coming months. I think I'm going to be focusing on Indie and Foreign films as those are the two genres I tend to gravitate towards.
Background information: In May I graduated from Mississippi College with a B.A. in English (literature focus). I met Wesley in the two film classes we had together, and after a while I sort of caught on to the fact that he was a well aware of some hmm... awesome shit I should say. After some moviegoing, cynicism, and crude nights in the dormitory, I'd say he and I hit it off well. I'm now a little further south, in Hattiesburg, getting my M.A. in literature and creative writing. I like films that tell good stories, as stories are what I'm trying to get better at telling. I'll probably be reviewing films based on the dialogue, characters, their interaction, and whether or not the story was good, as I don't know much about apertures, shot lengths, digital film, etc. I just like good stories. Film ought to be utilized for telling a good story. 'Nuff said.
Well, enough about me, expect a review for Takeshi Kitano's Hana-Bi (Fireworks) soon. Good day to all!
Monday, October 12, 2009
The 25 Scariest Moments in Movie History (Part 2)
Be sure to stay tuned for Parts 3-5.
Sunday, October 11, 2009
Monster Fest Movie of the Week: The Man They Could Not Hang (1939)
Hey everyone and welcome to a new article series taking place during Monster Fest 2009. In this series of articles, I will post a full length horror / monster movie for your enjoyment. With services like Hulu and YouTube, there are a lot of ways to enjoy movies you would have most likely never heard of before by just watching it at your own convenience on your computer screen. I will choose one horror film from these services every week and post them here for you all to enjoy.
Friday, October 9, 2009
The 25 Scariest Moments in Movie History (Part 1)
Hey everyone and welcome to Monster Fest 2009 here on YDKS Movies.
Italian director Lucio Fulci is known for filming some of the most gruesome and disgusting images in the horror genre. From exploitation films such as The New York Ripper to The Beyond, Fulci has sprayed the silver screen with lots of intestines and bright red blood.